As part of our Urban Spaces project, this piece of work involves
using a classical painting of our choice from the National Gallery collection as
a starting point to create a concept for a very different piece made in
response to the original. We don’t need
to get as a far as making it (yet). It’s
to teach ourselves about the process of creating an artwork.
I’ve chosen Pissarro’s “The Boulevard Montmartre at Night”
1897
I felt this painting as:
Light pouring, tinkling, shining, reflections,
spaces defined by light/shadow/colour
Water, river city as a river
Nature silhouetted and corralled
Celebration
Cars looking benign, space and air
Patterns, repetitions, things moving at
different speeds
Idea:
To look at the city made up of buildings, places, areas
planned and built, but planned and never
built.
To explore what is in our control and out of our control in
the swirl of a city?
To play with the idea of areas constantly occupied,
abandoned, occupied and abandoned in building layers
Built on rivers, like flowing rivers, history, it’s all
temporary
Proposed Piece:
To use light shadow colour texture and form and sound to
show the ever-changing flux of urban spaces, how moods, feels, uses can change
from one time to another.
The people who come to view the piece will be the architects
of this change by being able to physically move the light sources to control
where the shadows and light areas fall, and explore how this affects the piece.
Imagine the core of the work will be made of simple shapes,
boxes, textures, patterns. I've realised I need to do more drawing get size, shape
See it displayed as part of an entire dark room, with
shadows, and thrown from the centre onto the outer walls. How does the size, shape, strength of the
light affect this, plus size of the objects being lit?
??Not sure about this, but is there a way could get inside
the piece and project this onto the walls?
??Investigate the optical illusion element
To accompany the piece I would like a changing sound-scape
of layered sounds playing – could I move the sets of sounds around the central
space so that different areas get interchanging sets of sounds? Sounds a mix of what is going on now in
cities, and nature, sea sounds. I've done some recordings with variable success in London, and in Canterbury. There's an telling contrast between a street with traffic and one that has been pedestrianised.
Well here I go, leaping out of my comfort
zone!

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